The Concept of The Blue Skies Project

Heavens - Auschwitz grid - CONCEPT

Heavens - Auschwitz grid - CONCEPT

Hey. As promised, and as a follow-up of my grandfather's story, here goes the original concept of The Blue Skies Project. In a next post, I'll talk about the realities that set in during and after my first journey to Oświęcim, Poland, to the Auschwitz concentration camps, and how it changed me.

The original concept

The Blue Skies Project was conceived as a book+installation project, in which I personally try to make sense of the Holocaust during the second World War. I attempt to understand and show my feelings about and vision on the massive suffering that has happened... and hopefully, in what I create, I can in a tiny way help to never forget.

I intend to visit every known Nazi camp and sub camp (following the Encyclopedia of Camps and Ghettos published by the United States Holocaust Memorial Museum) and make an image of the blue sky exactly above each location. A blue sky, and nothing else. A clear view on each sky, sober and blue, yet burdened with holding the memory of the ones who suffered below.

Standing on the very same places as the victims, and looking up at the very same sky that they must have seen, I feel those skies should belong to them.

The truth of these images lies in part in the faith the viewer must have in who I am, that he/she knows I actually have done this. Just, and only because I say I did. That truth is my word that this happened, yet at the same time is no direct physical proof... again a parallel with history, as so many camps were destroyed to cover up their existence.

Because what am I, if I don't have my word?

The list contains 1.075 camps, located all over Europe (look here for an example of a map to sense the magnitude), the overwhelming majority of which have been destroyed and don't exist anymore. I will attempt to document each heaven and publish a book with 1.075 pages and 1.075 blue images.

This book, containing only blue skies and a reference list, will appear too senseless, too abstract and too large and too heavy and too much to hold and comprehend... But that's exactly my point: The Holocaust is too much to hold, is too much to comprehend.

It is too much.

I want to make this book because I've always wished there existed already such a book, because I've always wanted to buy such a book and give it a place between all the other books in my room, as a reminder, to carry it along with me in my life, as a weight that we maybe, maybe, all should be carrying on our shoulders.


Time to think

I know the research will be immense to locate every location exactly (it already was when I tested going to all 42 camps linked to Auschwitz), and setting myself the maybe too narrow sliver that the sky has to be blue is not making my life any easier either.... And the installation that will surround the book, well... that is even another story.

And the part of how on earth to fund this project, which will be massively expensive, and can I justify this cost in the name of an art installation? Would that money not be better spent elsewhere?

What are your thoughts? I realize that I am blowing a conceptual bubble that is very very thin... reducing an incredibly massive and the "heaviest" of topics to its barest minimum and hopefully its essence... but I'm doing it purposely, as it is my vision on this.... and at the same time I can't help but thinking: isn't reducing to the maximum actually the only possible way? And isn't the only goal that I have - being that I contribute in some way to the continuing awareness and prevention of  the Holocaust from being forgotten by looking at it in a way that (I hope) is different - justification enough to go for it?