exhibit

YAKUZA exhibit in C-mine, Genk (BE) - 2013

YAKUZA exhibit in C-mine - Genk (BE) - 2013 So here is the big news... my first YAKUZA solo exhibit has just been confirmed for spring 2013.

And it's one hell of a unique location... the former Winterslag coal mine now-converted-to-cool-cultural-centre C-mine... A long time ago, this was also the coal mine my late grandfather and godfather (not Antoine, but Bert) worked in.

I now have exactly 11 months to prepare. It seems like a long time, but in reality it's not.... I'll be drawing concepts, making scale models, test prints, paper types, and sketching like hell. And the edit and sequencing of course will be crucial... and the production of the artwork itself will take several months... not to mention producing the installation itself.

I think I've got some cool things in mind as to how I'd like to approach this, and the next conversations with C-mine will determine the feasibility of what's inside my head. They loved the initial concept, so hopefully it'll work out the way I'm envisioning it.

I'll be talking about every step of the way right here, building the concept online, and letting it grow from idea to sketch to model to reality... a careful deliberate journey, and hopefully mucho fun!

I just visited the location, and I've got a whopping 450 m2 (about 1,500 sq ft) at my disposal.

really excited...

 

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I was a Dog (exhibit)

A quickie. I was recently asked to join a collective exhibit of former students at the photography academy of my home town. I was honored of course, but as I couldn't show work from the Yakuza project (someone else has got dibs on that biggie - I'll reveal very very soon :) I opted for an edit of images from my Mexico work in 2008.

Six images from a chapter titled "I was a Dog", part of Dislocate, the broader story in which I try to come to terms with my feelings of being uprooted.

The hardest part for me is always how to visualize the reality of the printed image in a given exhibit space, and depending on that, to try and make the best possible choices: which image edit, which size, to make an accompanying edition or not, and how to present the images. A good way for me to help visualize is that I not only make a simple sketch of the space and add the work into it, but that I also add silhouettes of people at the correct relative sizes. This never fails to amaze me, and always proves to be very helpful. Bigger is most definitely not always better.

For this exhibit, I had available 3 large panels of 2,5x3m (8x10ft) each, white, both sides usable.

Anton Kusters - "I was a Dog" - SASK Hasselt - setup 01

Anton Kusters - "I was a Dog" - SASK Hasselt - setup 01

Anton Kusters - "I was a Dog" - SASK Hasselt - setup 02
Anton Kusters - "I was a Dog" - SASK Hasselt - setup 02

As you can see by the relative size to the silhouettes and the panels, in this case, the prints should be quite large, 44" high by almost 70" wide.

If I would've printed a test image at this size without having made the sketch first, I would've most certainly opted for much smaller prints, because, right now, drying on my table at home, they seem way too large:

I was a Dog - image of print
I was a Dog - image of print

Presentation-wise, I'm going for a "bare bones" approach, hanging the prints with two steel clamps directly on the paper, without any framing or glass or filter at all. Light prints, heavy content. I hope it'll work out.

How on earth I'm going to transport these beasts to the venue next week is a mystery to me.

And I've beent told that any exhibit is prone to last minute changes because of many unforeseen/practical circumstances... e.g. what if there are only two panels available instead of three, or they cannot be setup side by side...

So I might have to adapt on the spot.

Makes it all the more exciting me says. Fingers crossed.

Cheers,

anton

More exhibit info on the website of the Academy of Fine Arts of Hasselt (in Dutch).